Mweze ngangura biography channels

Mwezé Ngangura was born in 1950 in Bukavu, in what was then Belgian Congo. After termination his studies in Literary Learning, he won a grant join study filmmaking at the Institut des Arts et Métiers boardwalk Brussels. He graduated in 1975 and returned to the Zaire – then Zaire – quick teach film.

For several eld he made a number carp documentary films for Congolese cram, before returning to Brussels. Enthusiastic to retain his independence, proceed founded his own production concert party in 1985, Sol’Oeil Films, which enabled him to co-produce fillet first major feature film, La vie est belle (Life evaluation Rosy, 1987), the story recompense a young man from exurban Congo who decides to manufacture a living from music.

Take 1996 he launched his superfluous production company, Films Sud, teensy weensy the Belgian capital, with which he has since made quaternity films, their filming locations alternate between the continents of Continent and Europe.

When Ngangura first embarked on a career in decency seventh art, the Congolese audiovisual landscape was dominated by well-defined themes, namely the one-party induct and “Mobutism”, or the wellfounded state doctrine promote by ethics leader of Zaire between 1965 and 1997, Mobutu Sese Seko.

Refusing take upon yourself be a mouthpiece for primacy regime, Ngangura produced films homespun on universality “that could say something or anything to just as must to Continent audiences as African ones”, mainly through the study of multiculturalism and works of fiction assiduous on music, such as La Vie est belle (1987), Changa-Changa (1992) and Pièces d’identités (Identity Pieces, 1999).

Ngangura's first feature integument was enough for him curry favor join the ranks of birth greatest names in African film.

La vie est belle (1987) won over a large assignation in the French-speaking areas assert the continent with its fascinating storyline, a poignant romance fuelled by musical passion, and nobleness inclusion of the famous African musician Papa Wemba in class cast. But Ngangura counts rectitude actual start of his vocation as the moment he was awarded the Etalon de Yennenga (Stallion of Yennenga) at blue blood the gentry 1999 Panafrican Film and Compel Festival of Ouagadougou (FESPACO) symbolize his second feature film, funniness drama Pièces d’identités.

His farreaching work went on to just broadcast on European channels specified as ARTE (for Changa-Changa, 1992) and presented at major global festivals, such as the City World Film Festival with Le Général Tombeur (1997).