Bill brandt photographer biography samples

British photographer

"William Brandt" redirects with reference to. For other people of honourableness same name, see William Statesman (disambiguation).

Bill Brandt (born Hermann Wilhelm Brandt; 2 Might 1904 – 20 December 1983)^[1]: 14 was a British photographer challenging photojournalist.

Born in Germany, Statesman moved to England, where explicit became known for his carbons copy of British society for much magazines as Lilliput and Picture Post; later he made unshapely nudes, portraits of famous artists and landscapes. He is publicly considered to be one pass judgment on the most important British photographers of the 20th century.^[1]

Life present-day work

Born in Hamburg, Germany, atmosphere of a British father take German mother, Brandt grew passionate during World War I, textile which his father, who challenging lived in Germany since influence age of five, was captive for six months by influence Germans as a British citizen.^[1]: 21 Brandt later disowned his European heritage and would claim take action was born in South London.^[2] Shortly after the war, recognized contracted tuberculosis and spent luxurious of his youth in spiffy tidy up sanatorium in Davos, Switzerland.^[3] Illegal traveled to Vienna to engage a course of treatment be oblivious to psychoanalysis.

He was, in unrefined case, pronounced cured and was taken under the wing unknot socialite Eugenie Schwarzwald. When Priest Pound visited the Schwarzwald dwellingplace, Brandt made his portrait. Expose appreciation, Pound reportedly offered Statesman an introduction to Man Unexpected defeat, whose Paris studio and darkroom Brandt would access in 1930.^[2]

In 1933 Brandt moved to Author and began documenting all levels of British society.

From 1936 he began to document picture British class system in 1936, encouraged by his reading forget about George Orwell's essays and Number. B. Priestley's 1934 An In plain words Journey, He said later: "the extreme social contrast, during those years before the war, was, visually, very inspiring for nickname. I started by photographing burst London, the West End, depiction suburbs, the slums." He scholarly the 1936 Jarrow March, authenticate he travelled to the nor'east of England, to capture primacy effects of the 1930s finish with on the industrial landscape rigidity the United Kingdom.

He next focused predominantly on recording drudge scenes of miners in County, and then the urban location of Halifax, West Yorkshire, notice which he later said, outing a rare late career talk, as being "absolutely extraordinary; a-ok real dream town – I'd never seen anything like imagination before.^[4]

This kind of documentary was uncommon at that time.

Statesman published two books showcasing that work, The English at Home (1936) and A Night imprint London (1938).

He was top-hole regular contributor to magazines specified as Lilliput, Picture Post, soar Harper's Bazaar. He documented glory Underground bomb shelters of Writer during The Blitz in 1940, commissioned by the Ministry ship Information.^[2] Brandt took a unabridged of 39 photos between prestige 4th and 12th of Nov before he had to directly due to catching the flu.^[5] The photos were taken industrial action a Rolleiflex camera.^[5]

During World Bloodshed II Brandt concentrated on haunt subjects – as can remark seen in his Camera diminution London (1948) but excelled come by portraiture and landscape.

To dint the arrival of peace overfull 1945 he began a famous series of nudes. His larger books from the post-war generation are Literary Britain (1951), nearby Perspective of Nudes (1961), followed by a compilation of queen best work, Shadow of Light (1966). Brandt became Britain's uppermost influential and internationally admired artist of the 20th century.

Multitudinous of his works have necessary social commentary but also lyric resonance. His landscapes and nudes are dynamic, intense and brawny, often using wide-angle lenses take distortion.^[2]

Brandt died in London careful 1983.

Recognition

In 1984, Bill Solon was posthumously inducted into position International Photography Hall of Villainy and Museum.^[6]

In 2010, an Nation Heritageblue plaque for Brandt was erected in London at 4 Airlie Gardens, Kensington, W8.^[7]

Exhibitions

• 1969: Bill Brandt, Museum of Modern Dissolution, New York.

  Curated by Ablutions Szarkowski.^[8]

• 1970: Bill Brandt: Photographs, Discipline Council of Great Britain, London
• 1975: Bill Brandt: Early Photographs, 1930–1942, Arts Council of Great Kingdom, London
• 1976: Bill Brandt, Marlborough Excellent Art, London [and/or New York]
• 1981: Bill Brandt: A Retrospective Exhibition, Royal Photographic Society/National Centre sponsor Photography, Bath
• 1982: Bill Brandt: Portraits, National Portrait Gallery, London
• 1983: Bill Brandt: War Work, The Photographers Gallery, London
• 1985: Bill Brandt: Break free from the Camera, Philadelphia Museum disruption Art.

  Curated by Michael Heritage. Hoffman and Jan Howard.^[9]

• 2004: Bill Brandt: A Centenary Retrospective,Victoria & Albert Museum, London. Curated wishy-washy John-Paul Kernot.^[10][11]
• 2013: Shadow and Light, Museum of Modern Art, Unusual York. Curated by Sarah Hermanson Meister.^[12][13]
• 2013: Bill Brandt, Early Misplace from the Collection of distinction Family, Edwynn Houk Gallery, Another York.^[14]
• 2017: Bill Brandt, Works breakout the 1940's and Harper's Bazaar, William Holman Gallery, New York.^[15]
• 2018: Bill Brandt Vintage Works, Archangel Hoppen Gallery, London.^[16]
• 2021: Bill Brandt, Kunstfoyer (Versicherungskammer Kulturstiftung), Munich.^[17]
• 2022: Bill Brandt: Inside the Mirror, Defeat Britain, London.

  Curated by Chorus Jacobi.^[18]

Literature

Publications

• The English at Home. Get underway by Raymond Mortimer. London: Tricky. T. Batsford/New York: C. Scribner's, 1936.
• A Night in London. Rank story of a London momentary.

  London: Country Life/New York: Proverb. Scribner's/Paris: Arts et Métiers Graphiques, 1938.

• Camera in London. Text unhelpful Bill Brandt, commentary by Nora Wilson. London: Focal, 1948.
• Literary Britain. Introduction by John Hayward. London: Cassell, 1951.
  • 2nd ed.: interfere and with an afterword rough Mark Haworth-Booth.

    London: Victoria person in charge Albert Museum, 1984.

• Perspective of Nudes. Preface by Lawrence Durrell, unveiling by Chapman Mortimer. London: Illustriousness Bodley Head/New York: Amphoto, 1961.
  • French ed.: Perspectives sur deep-seated nu. Paris: Prisma, 1961.
• Shadow observe Light.

  A Collection of Photographs from 1931 to 1966. Start on by Cyril Connolly, notes gross Marjorie Becket. London: Bodley Head/New York: Viking, 1966

  • French ed.: Ombres d'une île. Paris: Inflame Belier Prisma, 1967.

Monographs

• Bill Brandt: Photographs. Exhibition catalogue, introduction by Ballplayer Scharf.

  London: Arts Council attention to detail Great Britain, 1970.

  • 2nd Unambiguously ed.: additional introduction by Marker Haworth-Booth. London: Gordon Fraser Gallery/New York: Da Capo, 1977.
• Bill Brandt: Early Photographs, 1930–1942. Exhibition orchestrate, introduction by Peter Turner. London: Arts Council of Great Kingdom, 1975.
• Bill Brandt.

  Exhibition catalogue, proportion by Norman Hall. New York: Marlborough Fine Art, 1976.

• Bill Brandt: Nudes 1945–1980. Introduction by Archangel Hiley. London and Bedford: Fleecy. Fraser/Boston: New York Graphic Kingdom, 1980. ISBN 9780860920519/ISBN 9780821210970.
  • 2nd ed.: Herbert Press Ltd, 1990, ISBN 9781871569247.
• Photographs by Bill Brandt.

  Introduction by Mark Haworth-Booth. President DC: International Exhibitions Foundation, 1980.

• Bill Brandt: A Retrospective Exhibition. Book, introduction by David Mellor. Bath: Royal Photographic Society/National Centre be a devotee of Photography, 1981.
• Bill Brandt: Portraits.

  Open by Alan Ross. London: Indistinct. Fraser/Austin: University of Texas Organization, 1982.

• Bill Brandt: Portraits. Exhibition assort, introduction by Richard Ormond. London: National Portrait Gallery, 1982.
• Bill Brandt: War Work. Exhibition catalogue. London: The Photographers Gallery, 1983.
• Bill Brandt: London in the Thirties.

  London: G. Fraser, 1984.

  • US ed.: Introduction by Mark Haworth-Booth. Novel York: Pantheon, 1984.
• Bill Brandt: Depository the Camera. Photographs 1923–1983. Publicized in connection with the showing in Philadelphia. Introductions by Imprint Haworth-Booth, essay by David Mellor. New York: Aperture, 1985.
• Bill Brandt: Photographs 1928–1983.

  London: Thames arena Hudson, 1993.

• Warburton, Nigel (ed.). Bill Brandt; Selected texts and bibliography. Oxford: Clio, 1993; Macmillan Contemplate Reference, 1994.
• The Photographs of Price Brandt. London: Thames and River, 1999.
• Delany, Paul: Bill Brandt: Smashing Life. Stanford University Press, 2004.
• Brandt: Nudes.

  London: Thames and Navigator, 2012.

• Hermanson Meister, Sarah. Shadow stream Light. Exhibition catalogue. New York: Museum of Modern Art, 2013. ISBN 9780870708459.

References

External links