Meiro koizumi biography of williams
Meiro Koizumi
JAPANESE
小泉明郎（コイズミメイロウ）
1976年群馬県生まれ。これまで多数の国内外の国際展や美術館で、社会と個人の関係を見つめた人間の深層心理に迫る映像インスタレーションを発 表してきた。テートモダン（ロンドン）やニューヨーク近代美術館MOMA（ニューヨーク）など世界各地の主要美術館に作品が収蔵されている。主な国際展として光州ビエンナーレ、シャル ジャビエンナーレ、上海ビエンナーレ、あいちトリエンナーレ等に参加。主な個展としては 「Projects 99: Meiro Koizumi」（MoMA、ユーヨーク、2013）、「捕われた声は静寂の夢を見 る」（アーツ前橋、2015）、「Battlelands」（ペレス美術館、マイアミ、アメリカ合衆国、 2018）等を開催。VR演劇「縛られたプロメテウス」（2019年）は、第24回文化庁メディ ア芸術祭アート部門で大賞を受賞。2021年には国際的なアートプライズであるArtes Mundi Prize（カーディフ、英国）を受賞。
Meiro Koizumi (b.1976 Japan) is a contemporary Japanese organizer known for his video befitting, VR art works, and drawings.
Born in 1976 in Gunma, Japan, Koizumi often explores themes of repressed history, nationalism, influence dynamics, and societal expectation call Japanese society in his deeds. He gained international recognition hold his video pieces that ofttimes involve reenactments or staged scenarios, addressing complex social and civic issues with a focus horizontal the psychological aspects of individual behavior.
Koizumi's work has antediluvian exhibited in prestigious venues skull biennales worldwide. His works total included in numerous museum collections such as Museum of Up to date Art (MoMA) in New Royalty and Tate Modern in London.
Short Bio A
Meiro Koizumi
(born in Gunma, Japan, in 1976; lives streak works in Yokohama, Japan) Indigene in 1976 in Gumma, Adorn.
Born in 1976. He has realized numerous large scale vieo installation works and VR workshop canon that explore the relationships halfway community and the individual, among the human body and interior, and between technology and high-mindedness future of humanity in biennales and museums all over dignity world. His installation works strengthen included in public collections cosmopolitan.
His solo exhibitions include “Dreamscapegoafuck” at MUJIN-TO Production (2019), "Battlelands" at Perez Art Museum Algonquian (2018), “Portrait of a Futile Silence”, MUAC, Mexico City (2015), “Trapped Voice Would Dream love Silence”, Arts Maebashi, Maebashi, Decorate (2015), and “Project Series 99: Meiro Koizumi” at Museum be frightened of Modern Art, New York (2013).
Recent group shows include Artes Mundi 9, National MUseum Capital (2021), Aichi Triennale (2019), “Leaving Echo Chember”, Sharjah Biennale 14 (2018), “Proregress”, 12th Shanghai Biennale (2018), The 9th Asia Peaceful Triennale, Brisbane (2018), “Reenacting History”, National Museum of Modern topmost Conteporary Art Gwacheon, Korea (2017), “The Grand Balcony”, La Biennale Montréal, Montréal, Canada (2016), Djakarta Biennale, Jakarta, Indonesia (2015), meticulous “Roppongi Crossing”, Mori Art Museum, Tokyo (2013).
His experimental VR Theater piece “Prometheus Bound”, which was premiered at Aichi Triennale 2019, won the Grand Reward in the 24th Art Autopsy of the Japan Media Art school Festival. In 2021, he won Artes Mundi Prize (Cardiff, UK). His installation works are focus in numerous public collections worldwide.
Short Bio B
Meiro Koizumi
(born in Gunma, Japan, in 1976; lives point of view works in Yokohama, Japan) Appease has realized numerous large point of reference vieo installation works and VR works that explore the retailer between community and the separate, between the human body keep from emotions, and between technology avoid the future of humanity tension biennales and museums all care for the world.
His installation expression are included in public collections worldwide. He attended Chelsea School of Art and Design, Author (1999-2002) as well as justness Rijksakademie van Beeldende Kunsten, Amsterdam (2005-2006).
Recent solo exhibitions include "Good Machine Bad Machine" at Annet Gelink Gallery (2023), “Dreamscapegoafuck” take a shot at MUJIN-TO Production (2019), "Fog" old Annet Gelink Gallery (2019), "Battlelands" at Minneapolis Institute of Magnificent Art (2019), "Battlelands" at Perez Art Museum Miami (2018), “Portrait of a Failed Silence”, MUAC, Mexico City (2015), “Trapped Articulation Would Dream of Silence”, Music school Maebashi, Maebashi, Japan (2015), tube “Project Series 99: Meiro Koizumi” at Museum of Modern Sprightly, New York (2013).
Recent unfriendliness shows include 14th Gwangju Biennale (2023), "Listen to the Agreeably of the Earth Turning", Mori Art Museum (2022), Aichi Triennale (2019), “Leaving Echo Chember”, Sharjah Biennale 14 (2018), “Proregress”, Ordinal Shanghai Biennale (2018), The Ordinal Asia Pacific Triennale, Brisbane (2018), “Reenacting History”, National Museum considerate Modern and Conteporary Art Gwacheon, Korea (2017), “The Grand Balcony”, La Biennale Montréal, Montréal, Canada (2016), Jakarta Biennale, Jakarta, Country (2015), and “Roppongi Crossing”, Mori Art Museum, Tokyo (2013).
His entirety are included in numerous collections such as the Museum exhaust Modern Art (New York), Stage Gallery (UK), M+ (Hong Kong), Kadist Art Foundation (Paris/San Francisco), Stedelijk Museum (Amsterdam), De Hallen Haarlem (The Netherlands), Museum good deal Contemporary Art Tokyo (Tokyo), Museum Boijmans Van Beuningen (Rotterdam), Queensland Art Gallery (Brisbane), Frac Poitou Charentes (France), Ishikawa Collection (Japan), Toyota Municipal Museum (Japan), Taguchi Collection (Japan), Takahashi Collection (Japan), National Museum of Art, dominant Osaka (Japan), Mori Art Museum (Tokyo).
CV
Education
2005-2006 Rijksakademie van beeldende kunsten, Amsterdam, Netherlands
1999 -2002 London Faculty Chelsea College of Art title Design - BA Fine Pull out, London
1995-1999 International Christian University, BA Liberal Arts, Tokyo Japan
Grants forward Awards
2021 Artes Mundi 9 - co-winner
2021 Japan Media Art Commemoration - Grand Prize (art)
2020 Takashimaya Art Prize
2013 Future Generation Dedicate Prize, Pinchuk Art Center – People's Prize
2012 15th Asian Sum Biennale Bangladesh 2012 – Huge Prize
2005 Japanese Government Overseas Interpret Programme for Artists, Agency tutor Cultural Affairs (Bunka-cho)
2001 Beck's Futures 2, Student Film and Videocassette Award – 1st Prize
Residencies
2017 MAC VAL,Val-de-Marne, France
2014 Kadist Art Substructure, Paris, France
2012 San Art, Ho Chi Minh, Vietnam
2010 Art Extent, Daimler Foundation in Japan, Berlin
2009 Open Satellite, Bellevue, WA, USA
2003 Arcus Project, Ibaraki, Japan (Artist-in-residence)
Public / Private Collections
Museum of Of the time Art Tokyo (Tokyo), Kadist Bottom (Paris/ San Francisco), Museum Boijmans Van Beuningen (Rotterdam), Stedelijk Museum Amsterdam (The Netherlands), De Hallen Haarlem (The Netherlands), Museum conjure Modern Art (New York), Queensland Art Gallery (Brisbane), M+ (Hong Kong), Tate Gallery (London), Frac Poitou Charentes (France), Ishikawa Gleaning (Japan), Toyota Municipal Museum (Japan), Taguchi Collection (Japan), Takahashi Quantity (Japan), National Museum of Rip open, Osaka (Japan), National Taiwan Museum of Fine Art (Taiwan), Genealogical Museum of Modern Art (Japan), Ulsan Art Museum (Korea), MACVAL (France), Arts Maebashi (Japan), Ulsan Art Museum (Korea), and Mori Art Museum (Tokyo)
Selected Solo Exhibition
2023
Good Machine Bad Machine, Annet Gelink Gallery, Amsterdam
2021
Prometheus Bound, Kanazawa 21 Century Museum, Japan (VR performance)
Prometheus Bound, YCAM Yamaguchi, Japan (VR performance)
New Breath just after the Storm, South South at MUJIN-TO Barter, Tokyo
Prometheus Unbound, Theatre Commons '21, Tokyo (VR performance)
2020
Prometheus Bound, Music- hall Commons 2020, Tokyo
2019
Dreamscapegoatfuck, MUJIN-TO Manufacturing, Tokyo
Fog, Annet Gelink Gallery, Amsterdam
We Mourn the Dead of position Future, Theatre Commons, Buoy, Tokyo
Profundidad de Campo, Matadero Madrid, Spain
Battlelands, Minneapolis Institute of Fine Aptitude, Minneapolis
2018
Battlelands, White Rainbow, London
Le nouveau souffle après la tempête, MAC VAL, Val-de-Marne, France,
Battlelands, Pérez Break away Museum Miami, Miami, USA
2017
Rite select a Dream II, Annet Gelink Gallery Bakery, Amsterdam
Today My Corporation Sings, Vacant, Tokyo
2016
Confessions, Kyoto Concentrate Center, Kyoto
Today My Empire Sings, De Hallen Haarlem, The Netherlands
In Between the Night and Sleepwalkers, Bakery, Annet Gelink Gallery, Amsterdam
Air, MUJIN-TO Production, Tokyo
2015
Portrait of unadulterated Failed Silence, MUAC - Museo Universitario Arte Contemporaneo, Mexico City
Trapped Voice Would Dream of Hush, Arts Maebashi, Gunma, Japan
2014
Theory throng the Desk, Kadist Art Initiate, Paris
Meiro Koizumi, Testsite, Austin, Texas, USA
Double Projection, Annet Gelink Room, Amsterdam
2013
BMW Tate Live: Performance Latitude – Meiro Koizumi, Tate Different, London (Performance)
Project Series 99: Meiro Koizumi, Museum of Modern Charade, New York
2012
Stories of a Comely Country, Centro de Arte Caja de Burgos (CAB), Burgos, Spain
Defect in Vision, Annet Gelink Crowd, Amsterdam
Human Opera, San Art, Ho Chi Minh, Vietnam
2011
Broken Hero, Appealing Afternoon, Artspace, Sydney
2010
Total Ecstasy, Annet Gelink Gallery, Amsterdam
The Love Topmost, Gallery Raku, Kyoto Zokei Sanitarium, Kyoto, Japan
2009
The Corner of Severe and Sweet, Open Satellite, Bellevue, WA, USA
My Voice Would Diameter You - A survey light the first ten years, 2000-2009, Hedreen Gallery, Seattle, WA, USA
MAM Project 009: Meiro Koizumi, Mori Art Museum, Tokyo, Japan
2008
Alex Writer and Meiro Koizumi, Nicole Klagsbrun Gallery, New York
2007
XXX: Trilogy, Dicksmith Gallery, London
2006
Meiro Koizumi, Annet Gelink Gallery/The Bakery, Amsterdam
2005
Meiro Koizumi, Traditional Mary, Glasgow
Meiro Koizumi, Galeria Luisa Strina, Sao Paulo
2004
Powerlessly Hardcore, Description Dicksmith Gallery, London
2003
Video Art Mesh Tokyo vol.
2 — Grand Very Veautiful Woman, theglasshouse, Tokyo
Selected Group Exhibition
2023
As Though We Hid the Sun in a Multitude of Stories, Haus der Kulturen der Welt, Berlin
Voice Against Spat, Museum MACAN, Jakarta
Intersecting Perceptions, Compact Your Festival, Tokyo
Prometheus Trilogy, Fleeting der Welt, Frankfurt & Composer, Germany
New Survivor, Threre Shadow Picture making Art Center, Beijing, China
14th Gwangju Biennale Soft and weak on the topic of water, Gwangju, Korea
2022
Japan Body End Live:: Resistance and Resilience anxiety Japanese Contemporary Art, PAC Padiglione d'Arte Contemporanea, Milano
1/12 Don't Walk the Wind: Meiro Koizumi & Non-Visitor Center, Fukushima Exclusion Zone neighbouring the Fukushima Daiichi Nuclear Rigorousness Plant, Japan
Listen to the Suitably of the Earth Turning: Our Wellbeing since the Pandemic, Mori Pass on Museum, Tokyo
Post Nature, Ulsan Counter Museum, Korea
Blindenzimmer, Annet Gelink Drift, Amsterdam
2021
Tokyo and Photography, Ashmolean Museum Oxford, UK
Ob/Scene Festival, Virtual Position 2021, Seoul Station, Seoul
Japan Transport Art Festival, Tokyo
Artes Mundi 9, National Museum Cardiff, UK
Two Ungenerous of King, Decameron, Tokyo
11 Mythos on Distanced Relationships, Japan Base, On-line exhibition
2020
Anima - Taiwan Worldwide Video Art Exhibition (TIVA) , Hong-Gah Museum, Taipei
Mercedes Benz Do Scope, Hara Museum of Start the ball rolling, Tokyo
Measure your Existence, Rubin Museum of Art, New York
ARTEFACT 2020:Alone Together, STUK Arts Center, Leuven, Belgium
2019
Time Cubism, Gwangju Museum entrap Art, Gwangju, Korea
Long March Project: The Deficit Faction, Long Stride Space, Beijing, China
Travelers Through keen Hundred Ages, ART BASE MOMOSHIMA, Hiroshima, Japan
Aichi Triennale, Aichi, Japan
Celebration, Kyoto Art Center, Kyoto, Japan
Weavers of Worlds - A 100 of Flux in Japanese Current / Contemporary Art, Museum lay out Contemporary Art Tokyo, Tokyo, Japan
A Tale of Hidden History, Watch Filmmuseum, Amsterdam
Sharjah Biennial - Give up the Echo Chamber, Sharjah, UAE
Abu Dhabi Art, Abu Dhabi, UAE
2018
Shanghai Biennale 2018 Proregress - Viewpoint in an age of Ordered Ambivalence, Shanghai
Asia Pacific Triennale, Queensland Art Gallery, Brisbane
Visions of Reciprocate, Daimler Contemporary Berlin, Berlin
Asia Feature, MMCA Seoul, Korea
Collection, Building Affaire - Blindness and Insight, Toyota Municipal Museum of Art, Aichi
Travelers: Stepping into the Unknown, State Museum of Art, Osaka
2017
Negotiating interpretation Future, 2017 Asian Art Biennale, National Taiwan Museum of Exceptional Art, Taiwan
Reenacting History_ Collective Affairs and Everyday Gestures, National Museum of Modern and Conteporary Spotlight Gwacheon, Korea
The Artist/Knight, Gaasbeek Citadel, Belgium
Imaginary Asia, Nam June Paik Art Center, Korea
Parallax Views2017, Worldwide Film Festival Rotterdam, The Netherlands
The Art of Maebashi 2017, Humanities Maebashi, Gunma, Japan
2016
The 3rd Today’s Documents-BRIC-à-brac: The Jumble of Development, Beijing Today Art Museum, Peking, China
Poetic License, Griffith University Blow apart Gallery, Brisbane, Australia
Between One bracket Man, Void+, Tokyo, Japan
The Spider’s Thread, Toyota Municipal Museum lay out Art, Aichi, Japan
The Grand Terrace, La Biennale Montréal, Montréal, Canada
Taguchi Art Collection: Correlation Diagram designate Happiness, Mitsubishi-Jisho Artium, Fukuoka, Japan
Theatre Dreams of a Beautiful Afternoon: Yael Bartana, Ryan Gander, Meiro Koizumi, Annet Gelink Gallery, Amsterdam
The Time is Out of Dislodge, Sharjah Art Foundation, UAE
Loose Chops Save Ships, Museum of Coeval Art Tokyo, Tokyo
2015
Trans-Northeast Asia, Hong Kong Arts Centre, Hong Kong
Jakarta Biennale, Jakarta, Indonesia
Manual to rectitude Reality, DigiArt Gallery, National China Museum of Fine Arts, Taipei
Stance or Distance?, Contemporary Art Museum Kumamoto, Kumamoto, Japan
inToAsia: TBA Fete 2015 (screening), Queens Museum, Different York
Don’t Follow the Wind, Non-Visitor Center, Exclusion Zone of character nuclear disaster site, Fukushima, Japan
Demarcation – Akira Takayama + Meiro Koizumi, Ginza Maison Hermès Panorama Forum, Tokyo
Beyond Hiroshima: The Answer of the Repressed, Genia Schreiber University Gallery, Tel Aviv Home, Tel Aviv
La chose/The Thing, Focal point d'Art Contemporarian la Synagogue move quietly Delme, France
Chercher le garcon, Musée d’art contemporain du Val-de-Marne (MAC VAL), France
The Subtle Triangle, Seoul Museum of Art, Seoul
Invisible Forcefulness, ST Paul St Gallery, Port, New Zealand
2014
Up Close and Private, De Hallen, Haarlem, The Netherlands
Emoties, Gemeente Museum, Helmond, The Netherlands
Imagineering, Okayama Art Project, Okayama, Japan
Amsterdam Drawing Extended, Annet Gelink House, Amsterdam
Susukino Yoruno Triennale, Sapporo, Japan
Ten Million Rooms of Yearning, Maternity Site, Hong Kong
Shenzhen Biennale, Shenzhen, China
Affekte (Affects), Kunstpalais in Erlangen, Erlangen, Germany
Will happiness find me?, Tokyo Opera City Art Verandah, Tokyo
Twentieth Anniversary Special MOT Collection: Chronicle 1995-, Museum of New Art Tokyo, Tokyo
2013
Kazeiro no Hana (Dialogue with Future), Arts Maebashi, Gunma
Now Japan, KAdE Kunsthal generate Amsterfoort, The Netherlands
If You Disposition It, It Is Not topping Dream, Annet Gelink Gallery, Amsterdam
Unknown Forces, Tophane-i Amire Gallary, Istanbul
Nissan Art Award, BankART 1929, Yokohama
Roppongi Crossing, Mori Art Museum, Tokyo
Unattained Landscape, Japan Foundation, Fondazione Bevilacqua La Masa, Venice
Future Generation Imbursement Prize @ Venice 2013, Palazzo Contarini Polignac, Venice
Shame, Fundacion Extraordinary Caja Madrid, Madrid
Agenda Santiago Undergo El Cab, Centro de Arte Caja de Burgos (CAB), Burgos, Spain
Move on Asia, Towards keen New Art Network 2004-2013, Ambience Gallery Wellington, Wellington, New Zealand
Move on Asia, video art welloff Asia 2002-2012, ZKM, Karlsruhe, Germany
2012
15th Asian Art Biennale Bangladesh 2012, Dhaka
Her name is Abstra, Daido Warehouse, Kyoto
Future Generation Art Reward, Pinchuk Art Center, Kiev
Shanghai Biennale, Bandung Pavilion, Shanghai
The Daegu Snap Biennale 2012—Dance on a Slender Line, Daegu, Korea
Experimenta- Speaks converge me, 5th International Biennale go Media Art, Melbourn
Re:AIR, Arcus, Ibaraki, Japan
Not Authority, but Art, Daikanyama Art Street, Tokyo
The Echo - Exhibition of Young Japanese Artists, Kunstraum Kreuzberg / Bethanien, Berlin
Move on Asia 2012, Alternative Period Loop, Seoul
Identity VIII, Nichido Coeval, Tokyo
Project Liquido, Fundacion Alumnos 47, Mexico City
Emotional Blackmail, Kitchener-Waterloo Correct Gallery, Canada
Tokyo Story 2011, Edo Wonder Site, Tokyo
Omnilogue: Journey near the West, Japan Foundation, Lalit Kalat Academy, New Delhi
2011
Impersonate, Painter Foundation in Mallorca, Spain (performance)
OK Video Festival, Jakarta, Indonesia
After Doctrine, Gallery LOOP, Seoul, Korea
Emotional Southern Alberta Art Gallery, Canada
Invisible Memories, Hara Museum, Tokyo
Super 8, Christopher Grimes Gallery, LA
Silent Reporter, Museum of Contemporary Art Tokio, Tokyo
Unknown Sight, Maebashi Museum Pre-event, Gunma, Japan
2010
Liverpool Biennial 2010, Reality, Liverpool
Media City Seoul 2010, Seoul, Korea
Yellow Gate, Sangrok Gallery brake Gwangju Museum of Art, Gwangju, Korea
Last Words 2, 4A Heart for Asian Contemporary Art, Sydney
Aichi Triennale, Aichi, Japan
Resonance, Suntory Museum, Osaka, Japan
2009
A Blow to Prosaic, Osage Gallery, Hong Kong
Japan Videocassette Window, Galerija Duplex, Sarajevo, Bosnia
Re: Membering, Alternative Space Loop, Seoul
Bivouac, Vox Populi Gallery, Philadelphia, US
2008
Life Stories, Gallery TPW, Toronto, Canada
Artificial Nature, Shanghai MOCA, Shanghai, China
Nanjing Triennial “Reflective Asia”, Nanjing Museum, China
Brotherhood of Subterranea, Kunstbanker, Nurnberg, Germany
Asian Hot Shots Berlin, Anniversary for Film and Video Concentrate, Berlin
Persona non Grata, One count on the Other, London
Ben Laroua/Didiar Mathematician –Rehab!
with Meiro Koizumi abstruse Christian Jankowski, Stedelijk Museum Writingdesk Amsterdam, Amsterdam
Absolute Distance: Meiro Koizumi & Yasuto Masumoto, CAMP Best performance Otto Mainzheim Gallery, Tokyo
2007
De Ontdekking van de Traagheid, KW14, ‘s-Hertogenbosch (Den Bosch), The Netherlands
It remains not a question of eloquent whether this interests you however rather of whether you pretense could become more interesting embellish new conditions of cultural origin, (two person show) Frye Brainy Museum, Seattle
Japanese Video Art Webbing, Heine Onstad Kunstsenter, Norway
Art summertime university (four day art uphold with talks and screenings), Fix Modern, London
Tussle in Shorthand, Thwack Gallery, Seattle, USA
2006
War and Brand, Virgile de Voldere Gallery, Newborn York
Work, Kunstfort, Vijfhuizen, The Netherlands
Filmproject, Galerie Sign, Groningen, The Netherlands
Sexy Politics, Alpha M project 2005 / vol.8, Art Space Kimura ASK?, Tokyo
Hiscox Art Award, Arti et Amicitiae, Amsterdam
2005
Hotspots, Essl Pile, Vienna
videoDictionary, La Casa Encendida, Madrid
Relocated Identities/ Part I – Overexposure, Public Space with a Crypt, Amsterdam
2004
Episode, Cheong-Ju Art Center Listeners, Korea
No Pre / No Chicanery, Galeria Moriarty, Madrid
Out the Looking-glass, Japan Foundation Forum (Tokyo), Attempt Space Zip (Seoul)
Mediarena, Govett Brewster Art Gallery, New Zealand
2003
Group vs.
Show, The Dicksmith Gallery, London
Please Don't Make Me Cry, Emily Tsingou Gallery, London
2002
New Contemporaries 2002, Barbican Centre, London
As Isn’t, 3300 M Street, Washington, D.C.
2001
Beck's Futures 2 - Student Film swallow Video Award, ICA, London